Access
Virus TI
- Paramètres
- 126
- Sections
- 8
- Pages sur Karl
- 11
AccessVirus TIPage 1/11
- MOD Wheel64
- CTRL Breath64
- Controller 364
- CTRL Foot64
- Glide Time64
- CTRL Data64
- Volume64
- Balance64
- Controller 964
- PAN64
- CTRL Expression64
- Controller 1264
Table CC complète
Controllers
| Paramètre | Message | Plage | Valeurs |
|---|---|---|---|
| MOD Wheel | CC 1 | 0–127 | |
| CTRL Breath | CC 2 | 0–127 | |
| Controller 3 | CC 3 | 0–127 | |
| CTRL Foot | CC 4 | 0–127 | |
| CTRL Data | CC 6 | 0–127 | |
| Controller 9 | CC 9 | 0–127 | |
| CTRL Expression | CC 11 | 0–127 | |
| Controller 12 | CC 12 | 0–127 | |
| Controller 13 | CC 13 | 0–127 | |
| Controller 14 | CC 14 | 0–127 | |
| Controller 15 | CC 15 | 0–127 | |
| Controller 16 | CC 16 | 0–127 | |
| Controller 50 | CC 50 | 0–127 | |
| CTRL Hold Pedal | CC 64 | 0–127 | |
| CTRL Glide Pedal | CC 65 | 0–127 | |
| CTRL Sostenuto Pedal | CC 66 | 0–127 | |
| Controller 92 | CC 92 | 0–127 | |
| Controller 95 | CC 95 | 0–127 | |
| Controller 96 | CC 96 | 0–127 | |
| Controller 111 | CC 111 | 0–127 | |
| Controller 120 | CC 120 | 0–127 | |
| Controller 121 | CC 121 | 0–127 | |
| Controller 124 | CC 124 | 0–127 | |
| Controller 125 | CC 125 | 0–127 | |
| Controller 126 | CC 126 | 0–127 | |
| Controller 127 | CC 127 | 0–127 |
General
| Paramètre | Message | Plage | Valeurs |
|---|---|---|---|
| Glide Time | CC 5 | 0–127 | |
| Volume | CC 91 | 0–127 | |
| Balance | CC 8 | 0–127 | |
| PAN | CC 10 | 0–127 | |
| Bank Select | CC 32 | 0–127 | |
| Transpose | CC 93 | 0–127 | |
| KEY Mode | CC 94 | 0–127 | |
| Unison Mode | CC 97 | 0–127 | |
| Unison Detune | CC 98 | 0–127 | |
| Unison Spread | CC 99 | 0–127 | |
| Input Mode | CC 101 | 0–127 | |
| Input Select | CC 102 | 0–127 | |
| Keyboard Local | CC 122 | 0–127 | |
| ALL Notes OFF | CC 123 | 0–127 |
Oscillators
| Paramètre | Message | Plage | Valeurs |
|---|---|---|---|
| OSC1 Shape | CC 17 | 0–127 | |
| OSC1 Pulsewidth | CC 18 | 0–127 | |
| OSC1 Wave Select | CC 19 | 0–99 | 0: Sine; 1: HarmncSweep; 2: Glass Sweep; 3: Draw Bars; 4: Clusters; 5: Insine Out; 6: Landing; 7: Liquid Metal; 8: Opposition; 9: Overtunes 1; 10: Overtunes 2; 11: Scale Trix; 12: Sine Rider; 13: Sqr Series; 14: Upsine Down; 15: Thumbs Up; 16: Waterphone; 17: E-Chime; 18: Tinkabell; 19: Bellfizz; 20: Bellentine; 21: Robot Wars; 22: Alternator; 23: Finger Bass; 24: Fizzybar; 25: Flutes; 26: HP Love; 27: Majestix; 28: Hotch Potch; 29: Resynater; 30: Smooth Rough; 31: Sawsalito; 32: Bells 1; 33: Bells 2; 34: SportReport; 35: Metal Guru; 36: Bat Cave; 37: Acetate; 38: Buzzbizz; 39: Buzzpartout; 40: Vanish; 41: Overbones; 42: Pulsechecker; 43: Stratosfear; 44: Sooty Sweep; 45: Throaty; 46: Didgitalis; 47: Evil; 48: Chords; 49: FM Grit; 50: Bellsarnie; 51: Octavius; 52: Eat Pulse; 53: Sinzin; 54: Sine System; 55: Clip Sweep; 56: Roughage; 57: Waving; 58: Pling Saw; 59: E-Peas; 60: Bump Sweep; 61: Filter Sqr; 62: Fourmant; 63: Formantera; 64: Sundial 1; 65: Sundial 2; 66: Sundial 3; 67: Clipdial 1; 68: Clipdial 2; 69: Voxonix; 70: Solenoid; 71: KlingKlang; 72: Violator; 73: Potassium; 74: Pile Up; 75: Tincanali; 76: Sniper; 77: Squeezy; 78: Decomposer; 79: Morfants; 80: Pingvox; 81: Adenoids; 82: Nasal; 83: Partialism; 84: TableDance; 85: Cascade; 86: Prismism; 87: Friction; 88: Robotix; 89: Whizzfizz; 90: Spangly; 91: Fluxbin; 92: Fiboglide; 93: Fibonice; 94: Fibonasty; 95: Penetrator; 96: Blinder; 97: Element 5; 98: Bad Signs; 99: Dominatrix |
| OSC1 Semitone | CC 20 | 0–127 | |
| OSC1 Key Follow | CC 21 | 0–127 | |
| OSC2 Shape | CC 22 | 0–127 | |
| OSC2 Pulsewidth | CC 23 | 0–127 | |
| OSC2 Wave Select | CC 24 | 0–127 | |
| OSC2 Semitone | CC 25 | 0–127 | |
| OSC2 Detune | CC 26 | 0–127 | |
| OSC2 FM Amount | CC 27 | 0–127 | |
| OSC2 Sync | CC 28 | 0–1 | 0: Off; 1: On |
| OSC2 Filter EG AMT | CC 29 | 0–127 | |
| OSC2 Key Follow | CC 31 | 0–127 | |
| Subosc Shape | CC 35 | 0–127 | |
| Noise Color | CC 39 | 0–127 | |
| OSC1 LFO1 AMT | CC 74 | 0–127 | |
| OSC2 LFO1 AMT | CC 75 | 0–127 |
Filter
| Paramètre | Message | Plage | Valeurs |
|---|---|---|---|
| Filter FM EG AMT | CC 30 | 0–127 | |
| Filter1 Cutoff | CC 40 | 0–127 | |
| Filter2 Cutoff | CC 41 | 0–127 | |
| Filter1 Resonance | CC 42 | 0–127 | |
| Filter2 Resonance | CC 43 | 0–127 | |
| Filter1 EG AMT | CC 44 | 0–127 | |
| Filter2 EG AMT | CC 45 | 0–127 | |
| Filter1 Key Follow | CC 46 | 0–127 | |
| Filter2 Key Follow | CC 47 | 0–127 | |
| Filter Balance | CC 48 | 0–127 | |
| Saturation Curve | CC 49 | 0–127 | |
| Filter1 Mode | CC 51 | 0–7 | 0: Low Pass; 1: High Pass; 2: Band Pass; 3: Band Stop; 4: Analog 1 Pole; 5: Analog 2 Pole; 6: Analog 3 Pole; 7: Analog 4 Pole |
| Filter2 Mode | CC 52 | 0–7 | 0: Low Pass; 1: High Pass; 2: Band Pass; 3: Band Stop; 4: Analog 1 Pole; 5: Analog 2 Pole; 6: Analog 3 Pole; 7: Analog 4 Pole |
| Filter Routing | CC 53 | 0–3 | 0: Serial 4; 1: Serial 6; 2: Parallel 4; 3: Split Mode |
| Filter EG Attack | CC 54 | 0–127 | |
| Filter EG Decay | CC 55 | 0–127 | |
| Filter EG Sustain | CC 56 | 0–127 | |
| Filter EG SUS Time | CC 57 | 0–127 | |
| Filter EG Release | CC 58 | 0–127 |
Mix
| Paramètre | Message | Plage | Valeurs |
|---|---|---|---|
| OSC Balance | CC 33 | 0–127 | |
| Subosc Volume | CC 34 | 0–127 | |
| OSC Mainvolume | CC 36 | 0–127 | |
| Noise Volume | CC 37 | 0–127 | |
| Ringmod Volume | CC 38 | 0–127 |
Envelopes
| Paramètre | Message | Plage | Valeurs |
|---|---|---|---|
| AMP EG Attack | CC 59 | 0–127 | |
| AMP EG Decay | CC 60 | 0–127 | |
| AMP EG Sustain | CC 61 | 0–127 | |
| AMP EG SUS Time | CC 62 | 0–127 | |
| AMP EG Release | CC 63 | 0–127 |
LFO
| Paramètre | Message | Plage | Valeurs |
|---|---|---|---|
| LFO1 Rate | CC 67 | 0–127 | |
| LFO1 Shape | CC 68 | 0–67 | 0: Sine; 1: Triangle; 2: Sawtooth; 3: Pulse; 4: S+H; 5: S+G; 6: Wave 3; 7: Wave 4; 8: Wave 5; 9: Wave 6; 10: Wave 7; 11: Wave 8; 12: Wave 9; 13: Wave 10; 14: Wave 11; 15: Wave 12; 16: Wave 13; 17: Wave 14; 18: Wave 15; 19: Wave 16; 20: Wave 17; 21: Wave 18; 22: Wave 19; 23: Wave 20; 24: Wave 21; 25: Wave 22; 26: Wave 23; 27: Wave 24; 28: Wave 25; 29: Wave 26; 30: Wave 27; 31: Wave 28; 32: Wave 29; 33: Wave 30; 34: Wave 31; 35: Wave 32; 36: Wave 33; 37: Wave 34; 38: Wave 35; 39: Wave 36; 40: Wave 37; 41: Wave 38; 42: Wave 39; 43: Wave 40; 44: Wave 41; 45: Wave 42; 46: Wave 43; 47: Wave 44; 48: Wave 45; 49: Wave 46; 50: Wave 47; 51: Wave 48; 52: Wave 49; 53: Wave 50; 54: Wave 51; 55: Wave 52; 56: Wave 53; 57: Wave 54; 58: Wave 55; 59: Wave 56; 60: Wave 57; 61: Wave 58; 62: Wave 59; 63: Wave 60; 64: Wave 61; 65: Wave 62; 66: Wave 63; 67: Wave 64 |
| LFO1 EG Mode | CC 69 | 0–1 | 0: Off; 1: On |
| LFO1 Mode | CC 70 | 0–1 | 0: Poly; 1: Mono |
| LFO1 Symmetry | CC 71 | 0–127 | |
| LFO1 Keyboard | CC 72 | 0–127 | |
| LFO1 Restart | CC 73 | 0–127 | |
| PW LFO1 AMT | CC 76 | 0–127 | |
| Reso LFO1 AMT | CC 77 | 0–127 | |
| Filtergain LFO1 AMT | CC 78 | 0–127 | |
| LFO2 Rate | CC 79 | 0–127 | |
| LFO2 Shape | CC 80 | 0–67 | 0: Sine; 1: Triangle; 2: Sawtooth; 3: Pulse; 4: S+H; 5: S+G; 6: Wave 3; 7: Wave 4; 8: Wave 5; 9: Wave 6; 10: Wave 7; 11: Wave 8; 12: Wave 9; 13: Wave 10; 14: Wave 11; 15: Wave 12; 16: Wave 13; 17: Wave 14; 18: Wave 15; 19: Wave 16; 20: Wave 17; 21: Wave 18; 22: Wave 19; 23: Wave 20; 24: Wave 21; 25: Wave 22; 26: Wave 23; 27: Wave 24; 28: Wave 25; 29: Wave 26; 30: Wave 27; 31: Wave 28; 32: Wave 29; 33: Wave 30; 34: Wave 31; 35: Wave 32; 36: Wave 33; 37: Wave 34; 38: Wave 35; 39: Wave 36; 40: Wave 37; 41: Wave 38; 42: Wave 39; 43: Wave 40; 44: Wave 41; 45: Wave 42; 46: Wave 43; 47: Wave 44; 48: Wave 45; 49: Wave 46; 50: Wave 47; 51: Wave 48; 52: Wave 49; 53: Wave 50; 54: Wave 51; 55: Wave 52; 56: Wave 53; 57: Wave 54; 58: Wave 55; 59: Wave 56; 60: Wave 57; 61: Wave 58; 62: Wave 59; 63: Wave 60; 64: Wave 61; 65: Wave 62; 66: Wave 63; 67: Wave 64 |
| LFO2 EG Mode | CC 81 | 0–1 | 0: Off; 1: On |
| LFO2 Mode | CC 82 | 0–1 | 0: Poly; 1: Mono |
| LFO2 Symmetry | CC 83 | 0–127 | |
| LFO2 Keyboard | CC 84 | 0–127 | |
| LFO2 Restart | CC 85 | 0–127 | |
| OSC SHP LFO2 AMT | CC 86 | 0–127 | |
| FM LFO2 AMT | CC 87 | 0–127 | |
| Filter1 LFO2 AMT | CC 88 | 0–127 | |
| Filter2 LFO2 AMT | CC 89 | 0–127 | |
| PAN LFO2 AMT | CC 90 | 0–127 | |
| Unison LFO Phase | CC 100 | 0–127 |
FX
| Paramètre | Message | Plage | Valeurs |
|---|---|---|---|
| Chorus Type | CC 103 | 0–6 | 0: Off; 1: Classic; 2: Vintage; 3: Hyper Chorus; 4: Air Chorus; 5: Vibrato; 6: Rotary Speaker |
| Chorus Mix | CC 104 | 0–127 | |
| Chorus Classic Mix | CC 105 | 0–127 | |
| Chorus Rate | CC 106 | 0–127 | |
| Chorus Depth | CC 107 | 0–127 | |
| Chorus Delay | CC 108 | 0–127 | |
| Chorus Feedback | CC 109 | 0–127 | |
| Chorus LFO Shape | CC 110 | 0–5 | 0: Sine; 1: Triangle; 2: Sawtooth; 3: Square; 4: S&H; 5: S&G |
| Delay Verb Mode | CC 112 | 0–127 | |
| Effect Send | CC 113 | 0–127 | |
| Delay Time | CC 114 | 0–127 | |
| Delay Feedback | CC 115 | 0–127 | |
| Delay Verb Time | CC 116 | 0–127 | |
| Delay Verb Size | CC 117 | 0–127 | |
| Delay LFO Shape | CC 118 | 0–127 | |
| Delay Color | CC 119 | 0–127 |